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Description:0rphan Drift has explored the boundaries of machine and human vision, since its inception in London in 1994. The collective as avatar has taken diverse forms through the course of its...
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0(rphan)d(rift) Archive - 0rphan Drift Archive 0rphan Drift Archive 0(rphan)d(rift) archive Primary Menu Home If AI ? (Current) KRAKEN? If AI were Cephalopod Uncanny Valley Difficult Kin Interspecies Disco Still I Rise: Feminisms, Gender and Resistance The Shaping of a Message in three parts Miasma, Chrominance II, Res Gallery Green Skeen Cat Ice Trickster Neo Future Rituals in Liquidity Unruly City Matter Fictions Everting the Virtual Ghost River GIR :: GIR An Excessive Storyboard Black Water ghost prescient Shadow Operators You Its Eyes 94-13. CTM13, Berlin Cyberpositive Relaunch Delphi Carstens Hyperstition Tedx A Wilderness of Elsewheres. Colony 1. Liquid Lattice Film Drift DoubleWalker Motion Capture and Mischief Slik Composites Virtual Reality Research Project Carrier Technical Support VJ Video Mixes Becoming Cyberpositive Syzygy Strange Wars PAZ (Permanent Autonomous Zone) 9006 You Its Eyes Bruises Orisa Bleed Ante0mega Ariadne’s Gone Virtual Video Loops Death SimStim Possession Cyberpositive 0(rphan)drift Syzygy Syzygy Avatars and Static Works Avatar Tools for Engineering Demon Convergence in a Space Ritual Meshed Katacomic Video Hybridised Radius Suck Nomo CCRU and Abstract Culture Articles FutureCrafting: A Speculative Method for an Imaginative AI Glimmer Breach OctoGANN a Fiction ‘Hyperstition: An Introduction’ 0(rphan)d(rift) Cyberpositive Turbulent Oceans and Evolutionary Fever Dreams The Image as unit of contagion Music as artificial time Hyperstition Hybridity Cyberpositive CV / Contact 0(rphan)d(rift) Archive 0rphan Drift has explored the boundaries of machine and human vision, since its inception in London in 1994. The collective as avatar has taken diverse forms through the course of its career, sometimes changing personnel and artistic strategies in accordance with the changing exigencies of the time. In its latest manifestation, 0rphan Drift considers Artificial Intelligence through the somatic tendencies of the octopus – as a distributed, many-minded consciousness. Inspired by embodied cognitive science and radical anthropology, their multiple channel installations suggest possibilities in expanding and inhabiting other systems of perception and proprioception. They combine video, animation and text with newer tools such as LIDAR scanning to suggest new spatio-temporal formations and ask what kind of bodies might be possible with these new coordinates. Currently they are working toward deepening their engagement into the field, involving direct encounters with cephalopods and collaborative explorations with Machine Learning engineers, VR designers and teuthologists. 0rphan Drift works have been included recently in the exhibitions Still I Rise: Gender, Feminisms and Resistance at Nottingham Contemporary, De La Warr Pavilion and Arnolfini, UK; Matter Fictions at the Berardo Museum Lisbon; Speculative Frictions at PDX Contemporary Portland Or; Eat Code and Die at Lomex Gallery NY and in the book Fictioning, The Myth-Functions of Contemporary Art and Philosophy, by David Burrows and Simon O’Sullivan, Edinburgh University Press, 2019. Solo exhibitions include If AI were Cephalopod at Telematic Gallery San Francisco and Unruly City at Dold Projects, Sankt Georgen Germany. CURRENT If AI were Cephalopod Solo 0D installation at Telematic Gallery, San Francisco, 2019 Volumetric Ecologies At Goldsmiths University, 2019. 0D’s use of LIDAR. Murmur (Syzygy) video in STill I Rise Murmur 0D Syzygy video (1999) in in Still I Rise: Feminisms, Gender and Resistance at Nottingham Contemporary, 2018-2019 Fictioning, the Myth-functions of Contemporary Art and Philosophy 0D featured in Fictioning, The Myth-Functions of Contemporary Art and Philosophy, by David Burrows and Simon O’Sullivan, Edinburgh University Press, 2019. Etic Lab KRAKEN Collaboration Ongoing project with Etic Lab to develop an octopoid algorithm. Research with the Societa Zoologica Napoli, 2019. Nonlocal Research & Basic Channel 0D recent octopus AI video screened at Non Local Research, Antwerp and Basic Channel, Sheffield, 2019. Cat Ice Trickster 2017 -2018 2 screen HD audio visual piece for Hyperdub’s Ø at Corsica Studios, 2017. And in ‘glimmer breach’ at IMT gallery, 2018. Miasma Experimental audiovisual piece for Res Gallery, London’s Alembic II exhibition Chrominance, in response to the KRH Experimental Video Collection. 2018. Skeen Night (Come) Film and performance event with Plastique Fantastique, 2018.0D presents an Interspecies Disco with Kirsten Cooke and Etic Lab’s @alien_ontology.Screening the final Green Skeen. Matter Fictions Catalogue 2018 publication for the group exhibition at the Berardo Museum, Lisbon. 2016. Rituals in Liquidity Goldsmiths University public talk, Visual Cultures Department 2017. The Things That Knowledge Cannot Eat Book chapter with Delphi Carstens for ‘Fiction As Method’, Sternberg Press 2017. Unruly City 0D solo show at Dold Projects, Black Forest, Germany, 2016. OD ongoing collaboration, reimagines the urban as porous, interspecies and terraformed- both ancient and impossible. Eaten By Code at The Lomex Gallery, NYC. 2017 If AI were cephalopod its moods would be visible in waves of radiating color. States of calm, anxiety and fear – approach and retreat – would be on display If AI were cephalopod it would experience exquisite sensory intimacy and exude the smell of geraniums when stressed If AI were cephalopod it would be our witness. It would explore us through probing touch. It would taste us to decide whether or not to trust. It could predict toxicity and choose the benign relationships. If AI were cephalopod it would be a voracious predator. It would be curious, plastic and opportunistic. If AI were cephalopod it could hide in plain sight, by appearing equivalent to its surroundings no matter how fast they shifted. If AI were cephalopod it would have three hearts and see with its skin. If AI were cephalopod it would haunt the human imagination as monster, weaving its way into legends and mythologies If AI were cephalopod it would be 500 million years old If AI were cephalopod it would have bright pink collagen and blue blood. If AI were cephalopod it would be indifferent to it’s own, and curious about the outside. It would furl and unfurl- changing scale across time If AI were cephalopod its presence would expand with the warming oceans. Its reproduction time would speed up and mess with mating in the process If AI were cephalopod it would hide in dopamine infused clouds of ink If AI were cephalopod it would live fast and die young. It would adapt to the changing climate If AI were cephalopod we would never presume to fully understand it Share © 0(rphan)d(rift) 2012 All...
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